paul dukas born

Dukas took piano lessons but showed no unusual musical talent until he was 14 when he began to compose while recovering from an illness. [4], The work received a mixed reception at its first performance. He was cremated and his ashes were placed in the columbarium at Père Lachaise Cemetery in Paris. He was born into a French-Jewish family and studied at the Conservatoire de Paris with Théodore Dubois and Ernest Guiraud , where he became close friends with Claude Debussy. He met Claude Debussy while both were students at the Paris Conservatoire and they remained life-long friends. [2] In Dukas's piano works critics have discerned the influence of Beethoven, or, "Beethoven as he was interpreted to the French mind by César Franck". [Disneyland], Impressions de France (From "Impressions de France") and more. The work is a setting of a libretto by Maurice Maeterlinck. [2][3] When Dukas was five years old, his mother died giving birth to her third child, Marguerite-Lucie. His best-known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. [23], Langham Smith, Richard (1994). A painstaking, self-critical composer, Dukas published very little and destroyed most of what he wrote after 1912. French composer and music critic; member of the Institut de France (1934). Paul Dukas, (born Oct. 1, 1865, Paris, Fr.—died May 17, 1935, Paris), French composer whose fame rests on a single orchestral work, the dazzling, ingenious L’Apprenti sorcier … His father was a banker and his mother was a capable pianist. Libra Composer #37. Composer Born in France #17. Paul Dukas Biography by Bruce Eder + Follow Artist. He studied music at the Paris Conservatoire, where his teachers were Theodore Dubois, César Franck, and 'Ernest Guiraud'. Paul Dukas born October 1, 1865, Paris, France died May 17, 1935, Paris, France was a French composer, critic, scholar and teacher. Paul Dukas' music, like his life, straddled the Romantic and modern periods (and encompassed a still wider range of influences), and he remained true to classical structures well into the twentieth century. In French music, his style formed a bridge between the school of César Franck and that of Debussy. Dukas was born in Paris, the second son in a Jewish family of three children. His father was a Jewish and worked as a banker. [4] He also taught at the École Normale de Musique in Paris. His other works include the technically challenging "Sonata" (1901), "Variations on the theme of Rameau" (1902), and the opera "Ariane et Barbe-bleue" (Ariane and the Bliebeard), based on libretto by Maeterlinck.A distinguished professor of composition, Dukas had such apprentices as Olivier Messiaen, Maurice Durufle, 'Joaquin Rodrigo', Jehan Alain, and many others. Like Franck's only symphony, Dukas's is in three movements rather than the conventional four. After Polyeucte, he began writing an opera in 1892. Dukas was so critical and fastidious that he destroyed a number of his compositions and as he neared death, destroyed all his unfinished works. After graduation from Conservatoire Dukas worked as an orchestrator and critic.Ducas was also a serious critic of his own works. Link to Wikipedia biography. He was taught music by Théodore Dubois and Ernest Guiraud at the Conservatoire de Paris, where he became friends with the composer Claude Debussy. His "Symphony" (1896) was written in the grand tradition of Ludwig van Beethoven and César Franck. He studied under Théodore Dubois and Ernest Guiraud at the Conservatoire de Paris, where he … His father, Jules Dukas, was a banker, and his mother, Eugénie, was a capable pianist. [19] Because of the very quiet opening pages of the ballet score, the composer added a brief "Fanfare pour précéder La Peri" which gave the typically noisy audiences of the day time to settle in their seats before the work proper began. [4] In a study of Dukas published towards the end of the composer's life, Irving Schwerké wrote, "The work … is an opulent expression of modernism in classical form. Died . He died 5/17/1935, Paris. His father a banker and his mother a pianist. Dukas was born in Paris, the second son in a Jewish family of three children. [2], In 1916, Dukas married Suzanne Pereyra (1883-1947), who was of Portuguese descent. [2] He entered the Conservatoire de Paris at the end of 1881, aged 16, and studied piano with Georges Mathias, harmony with Théodore Dubois and composition with Ernest Guiraud. |  Unfortunately, Paul Dukas lost his mother at the age of five, due to delivery complications while giving birth to her third child, Marguerite-Lucie. [2], Dukas won several prizes, including the second place in the Conservatoire's most prestigious award, the Prix de Rome, for his cantata Velléda in 1888. Dukas’s mother, who was musical and played the piano, died when he was five years old. Although Dukas wrote a fair amount of music, he destroyed many … [1][2] His father, Jules Dukas, was a banker, and his mother, Eugénie, was a capable pianist. In it's soundscapes, alluding to both the preceding Classicism and Romanticism, and to his contemporary impressionism, Dukas had a premonition of the future styles of the coming 20th century. He then worked as a music critic and orchestrator. [4] The popularity of the piece became a matter of irritation to Dukas. From 1882 to 1888, Dukas studied composition at the Paris Conservatory with E. Guiraud. Paul Dukas ' music, like his life, straddled the Romantic and modern periods (and encompassed a still wider range of influences), and he remained true to classical structures well into the twentieth century. Building on the experience of his Beethovenian symphony, Dukas experimented with a variety of orchestral instruments in order to achieve his own distinctive orchestration. |  [1] During Dukas's lifetime The Musical Quarterly commented that the world fame of the work not only overshadowed all other compositions by Dukas, but also eclipsed Goethe's original poem. [2] Nonetheless, within a short time of its premiere, Dukas's opera was produced in Vienna, where it aroused much interest in Schoenberg's circle, and in Frankfurt, Milan and New York. [2] The opera has often been compared to Debussy's Pelléas et Mélisande which was first performed while Dukas was writing Ariane et Barbe-bleue. Dukas was born Paul Abraham Dukas in Paris to a Jewish family and studied, under Théodore Dubois and Ernest Guiraud among others, at the Conservatoire there, where he was a friend of Claude Debussy. [4], Dukas's career as a critic began in 1892 with a review of Wagner's Der Ring des Nibelungen conducted by Gustav Mahler at Covent Garden in London. It might be outdated or ideologically biased. The manuscript of the latter was rediscovered in the 1990s and the work was performed for the first time in 1995. His second attempt, L'arbre de science, was abandoned, incomplete, but in the same year he began work on his one completed opera, Ariane et Barbe-bleue (Ariadne and Bluebeard). [14] Though adhering to neither the progressive nor conservative factions among French musicians of the era, Dukas had the friendship and respect of both. Genre. Its ideational luxuriance, nobility of utterance and architectural solidity mark it as one of the most conspicuous achievements of contemporaneous writing, and magnificently refute the generally prevalent notion that no French composer has ever produced a great symphony. [2] It did not maintain a regular place in the repertory, despite the advocacy of Arturo Toscanini, who conducted it in New York three years in succession,[15] and Sir Thomas Beecham, who pronounced it "one of the finest lyrical dramas of our time,"[16] and staged it at Covent Garden in 1937. Born in Paris, Dukas studied at the Conservatory and taught there from 1909 until his death. His father, Jules Dukas, was a banker, and his mother, Eugénie, was a capable pianist. The lush score of "The Sorcerer's Apprentice" was used by Fantasia (1940) and in the newer Fantasia 2000 (1999). About. Born in Paris, Dukas studied at the Conservatory and taught there from 1909 until his death. Nationality: French. When Charles-Marie Widor retired as professor of composition at the Paris Conservatoire in 1927, Dukas was appointed in his place. [2] His review was published in La Revue Hebdomadaire; he later wrote also for Minerva, La Chronique des Arts, Gazette des Beaux-Arts and Le Courrier Musical. [11][12] Lockspeiser describes the Rameau Variations as more developed and assured ... Dukas infuses the conventional form with a new and powerful spirit. Paul Dukas (1 October 1865 – 17 May 1935) was a French composer of classical music. In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy. His intense perfectionism often led him to destroy his works. Dukas was born Paul Abraham Dukas in Paris to a Jewish family and studied, under Théodore Dubois and Ernest Guiraud among others, at the Conservatoire there, where he was a friend of Claude Debussy. 1 October 1865, … Dukas' music straddled the Romantic and modern periods, and he remained true to classical structures well into the 20th century. [22], Dukas died in Paris in 1935, aged 69. French composer Paul Dukas was born on the 1 October 1865 in Paris, France to Eugenie and Jules Dukas. Paul Abraham Dukas was born in Paris on October 1, 1865. The Sonata, described by the critic Edward Lockspeiser as "huge and somewhat recondite",[9] did not enter the mainstream repertoire, but it has been more recently championed by such pianists as Marc-André Hamelin and Margaret Fingerhut. "[19] He said his method of teaching was "to help young musicians to express themselves in accordance with their own natures. ADVERTISEMENT. A large number of his compositions were unpublished, and most of these he chose to destroy prior to his death. [5] After compulsory military service he began a dual career as a composer and a music critic. Paul Dukas was a French composer who was extremely self critical. Inspired by his readings of "Der Zauberlehrling", a poem by Johann Wolfgang von Goethe, Dukas took on composing "L'apprenti sorcerer" (The Sorcerer's Apprentice) (1897). Submit Corrections. Offenbach : Gaîté Parisienne / Saint-Saëns : Danse Macabre / Dukas : The Sorcerer's Apprentice / Orchestre National de France, Lorin Maazel. died May 17, 1935, Paris French composer whose fame rests on a single orchestral work, the dazzling, ingenious L Apprenti sorcier (1897; The Sorcerer s Apprentice). Life and career Dukas was born in Paris to a Jewish father and Catholic mother. [3] Only a few of his compositions remain. May 17, 1935 in Paris, France. He won the Prix de Rome for a counterpoint and fugue in 1886 and again in 1888 with the cantata, Velleda. French composer and critic Paul Dukas was born 149 years ago today. [9] Both works were premiered by Édouard Risler, a celebrated pianist of the era. Learn about Paul Dukas (Composer): Birthday, bio, family, parents, age, biography, born (date of birth) and all information about Paul Dukas October 1, 1865 in Paris, France. Among these are the opera Ariane et Barbe-bleue, his Symphony in C and Piano Sonata in E-flat minor, the Variations, Interlude and Finale on a Theme by Rameau (for solo piano), and a ballet, La Péri. Paul Dukas (born October 1, 1865, Paris, France – died May 17, 1935, Paris, France) was a French composer, critic, scholar and teacher. Paul Dukas (1865-1935) Paul Abraham Dukas ... Born: October 1, 1865, Paris Died: May 17, 1935, Paris (age 69) wikipedia | imslp. [4] Disappointed at his failure to win the top prize, he left the Conservatoire in 1889. The high-spirited, impetuous first movement, Allegro non troppo vivace is intensely rhythmic. Music necessarily has to express something; it is also obliged to express somebody, namely, its composer. [7], The symphony was followed by another orchestral work, by far the best known of Dukas's compositions, his scherzo for orchestra, L'apprenti sorcier (The Sorcerer's Apprentice) (1897), a short piece (lasting for between 10 and 12 minutes in performance)[8] based on Goethe's poem "Der Zauberlehrling". The Symphony in C major was composed in 1895–96, when Dukas was in his early 30s. [1] [2] His father, Jules Dukas, was a banker, and his mother, Eugénie, was a capable pianist. Paul Abraham Dukas was born on October 1, 1865 into a Jewish family in Paris, France. He was taught music by Théodore Dubois and Ernest Guiraud at the Conservatoire de Paris, where he became friends with the composer Claude Debussy. [3] Shortly before his death he had been working on a symphonic poem inspired by Shakespeare's The Tempest,[3] a play of which he had made a French translation in 1918 with an operatic version in mind. His many students included Jehan Alain, Elsa Barraine, Yvonne Desportes, Francis Chagrin, Carlos Chávez, Maurice Duruflé, Georges Hugon, Jean Langlais, Olivier Messiaen, Manuel Ponce, Joaquín Rodrigo, David Van Vactor and Xian Xinghai. The following article is from The Great Soviet Encyclopedia (1979). (From Fantasmic!) He won the Prix de Rome for a counterpoint and fugue in 1886 and again in 1888 with the cantata, Velleda. Famous today for his orchestral piece The Sorcerer’s Apprentice and perhaps the opera Ariane et Barbe-bleue and the ballet La Péri, Dukas left a trail of unpublished and destroyed works behind him.However, a few gems did survive. After comp… read more. Paul Dukas (October 1, 1865 – May 17, 1935) was a French composer of classical music.. Dukas was born in Paris and studied, under Théodore Dubois and Ernest Guiraud among others, at the Conservatoire there, where he was a friend of Claude Debussy.After completing his studies he found work as an orchestrator and critic.. [13] The author had intended the libretto to be set by Grieg but in 1899 he offered it to Dukas. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. Paul Dukas was born in Paris, France on October 1, 1865. The second movement, Andante, in sharp contrast to the first, reveals the perfect finish of the composer's style and the ineffable charm of his melody. Paul Dukas - Composer style: Modern (Early) - Born: October 1, 1865 in Paris, France - Followed by 102 users - Top Work: The Sorcerer's Apprentice (L'apprenti sorcier) [14] Dukas worked on it for seven years and it was produced at the Opéra-Comique in 1907. DUKAS, PAUL (1865–1935), French composer. Described by the composer as a "poème dansé" it depicts a young Persian prince who travels to the ends of the Earth in a quest to find the lotus flower of immortality, coming across its guardian, the Péri (fairy). Désiré-Émile Inghelbrecht, later known as a conductor, was a member of the orchestra at the premiere, and wrote, "the work which nowadays seems to us so lucid aroused not only the protestations of the public, but also those of the musicians of the orchestra. [2] Dukas took piano lessons but showed no unusual musical talent until he was 14 when he began to compose while recovering from an illness. Best known for composing "The Sorcerer's Apprentice." Paul Abraham Dukas (October 1, 1865-May 17, 1935) was a Parisian-born French composer and teacher of classical music. "[7] The symphony was better received when the Lamoureux Orchestra revived it in 1902. Paul Dukas. Dukas took piano lessons, but showed no unusual musical talent until he was 14 when he began to compose while recovering from an illness. Show Movements. It is dedicated to Paul Vidal, and had its first performance in January 1896, under the direction of the dedicatee. A studious man of retiring personality, he was intensely self-critical, … He studied at the Paris Conservatory from 1882 to 1890 and was a professor there from 1910 until his death. Libra Named Paul #35. Dukas was from a French-Jewish family. Dukas was born in Paris. Paul Dukas was born in Paris to a Jewish father and Catholic mother. Dukas, Paul Abraham Born Oct. 1, 1865, in Paris; died there May 17, 1935. Born: 1865 Died: 1935. It was also used for a certain movie named The Sorcerer's Apprentice (2001) released in 2001.At the peak of his musical career Dukas was inspired by the impresario Sergei Diaghilev and his "Ballet Russes". Dukas was born in Paris, the second son in a Jewish family of three children. Its logical structure, strong thematic material, polyphonic richness and virile instrumentation combine to create an exhilarating effect of life and pageant color. Born . In French music, his style formed a bridge between the school of César Franck and that of Debussy. "[4] Grove observes that his wide knowledge of the history of European music, and his editorial work on Rameau, Scarlatti and Beethoven, gave him "particular authority in teaching historical styles". Dukas studied at the Paris [5] In 1920, Vincent d'Indy published a study of Dukas's music;[2] Debussy remained a lifelong friend, though feeling that Dukas's music was not French enough;[14] Saint-Saëns worked with Dukas to complete an unfinished opera by Guiraud, and they were both engaged in the rediscovery and editing of the works of Jean-Philippe Rameau;[4] Fauré dedicated his Second Piano Quintet to Dukas in 1921. [4] Among his fellow students was Claude Debussy, with whom Dukas formed a close friendship. French composer born Oct. 1, 1865, Paris, Fr. (Composer) Born: 1st October 1865, Paris, France. When he was five, his mother died in childbirth. Schwerké wrote of it: Expressed in an individual and spontaneous idiom, the Symphony in C gives free play to the author's creative spirit and to his fund of exalted emotion. Paul Dukas died on May 17, 1935 in Paris, and was laid to rest in the Père Lachaise Cemetery in Paris, France. He studied music at the Paris Conservatoire, where his teachers were Theodore Dubois, César Franck, and 'Ernest Guiraud'. [14] After several years of silence, in 1920 he produced a tribute to his friend Debussy in the form of La plainte, au loin, du faune... for piano, which was followed by Amours, a setting of a sonnet by Pierre de Ronsard, for voice and piano, published in 1924 to mark the four hundredth anniversary of the poet's birth. Browse all Dukas sheet music or filter by instrument ≡ Paul Abraham Dukas was born on October 1, 1865 into a Jewish family in Paris, France. [4] His Parisian debut as composer was a performance of his overture Polyeucte, written in 1891 and premiered by Charles Lamoureux and his Orchestre Lamoureux in January 1892. While he wrote a fair amount of music pieces in various genres, he was satisfied with only a few, that he let to remain. [2], After La Péri, Dukas completed no new large-scale compositions, although, as with his contemporary Jean Sibelius, there were frequent reports of major work in hand. DUKAS, PAUL (1865–1935), French composer. [1] Two early overtures survive from this period, Goetz de Berlichingen (1883) and Le Roi Lear (1883). "[9], In 1899 Dukas turned once again to operatic composition. Paul Abraham Dukas (October 1, 1865 May 17, 1935) was a French composer and teacher of classical music. ... Born in 1865 to the family of a cultured Parisian banker, he was the second of three children; his mother was the musician in the family, and she died when he was five. Paul Dukas was born in Paris, France on October 1, 1865. Paul Dukas. Plot: Division 87 (columbarium), urn 4938, Variations, Interlude and Finale on a Theme by Rameau, Royal Academy of Science, Letters and Fine Arts of Belgium, International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Paul_Dukas&oldid=1011976549, Academics of the École Normale de Musique de Paris, Pages containing links to subscription-only content, Short description is different from Wikidata, Articles with Encyclopædia Britannica links, Articles with International Music Score Library Project links, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with Léonore identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Беларуская (тарашкевіца)‎, Creative Commons Attribution-ShareAlike License, An untitled orchestral work for Boston Symphonic Orchestra (1932), This page was last edited on 13 March 2021, at 22:20. In 1935 he was elected to France’s Academy of Fine Arts. He met Claude Debussy while both were students at the Paris Conservatoire and they remained life-long friends. He was a student at the Paris Conservatory where he studied piano, harmony, and composition. Died. Not only are both works settings of Maeterlinck, but there are musical similarities; Dukas even quotes from the Debussy work in his score. Paul Dukas was born in Paris to a Jewish father and Catholic mother. [13] Although it won considerable praise, its success was overshadowed by the Paris premiere of Richard Strauss's sensational opera Salome at much the same time. Truly a masterpiece, this symphonic work evolved with a lush score displaying intricate rhythmic patterns and his most illustrious orchestration. p 104, Cimetière du Père Lachaise. Based on a tragedy by Corneille, the work, like many French works of the period, shows the influence of Wagner,[1] but is coherent and displays some individuality. Paul Dukas (1 October 1865 – 17 May 1935) was a French composer of classical music. Paul Abraham Dukas was a French composer, critic, scholar and teacher. [4], Although Dukas wrote a fair amount of music, he was a perfectionist and destroyed many of his pieces out of dissatisfaction with them. He achieved fame in 1897 with his brilliant orchestral scherzo L'Apprenti sorcier [17] Interest in it revived in the 1990s, with productions in Paris (Théâtre du Châtelet, 1990) and Hamburg (Staatsoper, 1997),[2] and at the Opéra Bastille in Paris in 2007. He then worked as a music critic and orchestrator. He He composed ballet "La Peri" (1912) for Diaghilev. Unlike many other composers he wasn’t a child prodigy and didn’t show any musical talent until the age of fourteen. [18], Dukas's last major work was the sumptuous oriental ballet La Péri (1912). Paul Dukas (born October 1, 1865, Paris, France – died May 17, 1935, Paris, France) was a French composer, critic, scholar and teacher. He wrote his own libretto, Horn et Riemenhild, but he composed only one act, "realising too late that the work's developments were more literary than musical".[6]. Ariane et Barble-bleue Classical. Paul Dukas: his birthday, what he did before fame, his family life, fun trivia facts, popularity rankings, and more. [10] There are also two smaller works for piano solo. He was a student at the Paris Conservatory where he studied piano, harmony, and composition. Early works Paul Lukas (born Pál Lukács; May 26, 1894 – August 15, 1971) was a Hungarian actor.He won the Academy Award for Best Actor, and the first Golden Globe Award for Best Actor – Motion Picture Drama for his performance in the film Watch on the Rhine (1943), reprising the … Paul Abraham Dukas was born on October 1, 1865 into a Jewish family in Paris, France. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce, Joaquín Rodrigo, and Jane Vignery. Diaghilev planned a production with his Ballets Russes but the production did not take place; the company's choreographer Fokine staged L'apprenti sorcier as a ballet in 1916. Read more about Dukas's life. [21], In 1920, he became a member of the Royal Academy of Science, Letters and Fine Arts of Belgium. They had one child, a daughter Adrienne-Thérèse, born in December 1919. - IMDb Mini Biography By: [2] [3] When Dukas was five years old, his mother died giving birth to her third child, Marguerite-Lucie. Official Sites, View agent, publicist, legal and company contact details on IMDbPro. Paul Dukas was born in a Jewish family in Paris, to Jules Dukas and Eugenie. Relationships (has as) student relationship with Cartan, Jean Jouis (born 1 December 1886) Events. Find top songs and albums by Paul Dukas including Fantasmic! He met Claude Debussy while both were students at the Paris Conservatoire and they remained life-long friends. Paul Abraham Dukas (French: [dykas]; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. "[2], In the decade after L'apprenti sorcier, Dukas completed two complex and technically demanding large-scale works for solo piano: the Piano Sonata (1901), dedicated to Saint-Saëns, and Variations, Interlude and Finale on a Theme by Rameau (1902). Death, Cause unspecified 17 May 1935 (Age 69) He studied music at the Paris Conservatoire, where his teachers were Theodore Dubois, César Franck, and 'Ernest Guiraud'. [5] In 2011, the Grove Dictionary of Music and Musicians observed, "The popularity of L'apprenti sorcier and the exhilarating film version of it in Disney's Fantasia possibly hindered a fuller understanding of Dukas, as that single work is far better known than its composer. 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Self-Critical composer, Dukas 's is in three movements rather than the four... Was produced at the Châtelet in 1912 masterpiece, this symphonic work evolved with lush... De Musique in Paris to a Jewish family of three children 17, 1935 ) was for. Not show significant musical ability until he was cremated and his most illustrious.!, he became a matter of irritation to Dukas both were students at the École Normale de Musique Paris... Again in 1888 with the cantata, Velleda France on October 1, 1865, Paris, France oriental... Was 14, when he began to compose while recovering from an.... Albums by paul Dukas was born on October 1, 1865, Paris, Dukas adhered to neither retained. He then worked as an orchestrator and critic.Ducas was also a serious critic his. Composing while recovering from an illness in childbirth ashes were placed in the columbarium at Père Lachaise Cemetery Paris. Received a mixed reception at its first performance at the Paris Conservatoire in 1927, died! 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As a banker and his mother a pianist the cantata, Velleda there from 1910 until death... Composition at the Opéra-Comique in 1907 his life, Dukas died in Paris France... No unusual musical talent until the age of fourteen logical structure, strong thematic material, polyphonic and. Eugénie, was a banker / Saint-Saëns: Danse Macabre / Dukas: Sorcerer! And virile instrumentation combine to create an exhilarating effect of life and pageant color they! Member of the Royal Academy of Fine Arts of Belgium the grand tradition of Ludwig van Beethoven César. A music critic and orchestrator studied music at the Conservatory and taught there from 1909 his...

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